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How To Create Seamless Patterns In Photoshop For Textile Design
A seamless pattern (or repeating pattern) is a pattern that can be repeated indefinitely without visible breaks or breaks. In this tutorial, you’ll learn how to turn your art into professional, endless patterns and surface designs that easily arrange blocks into perfect shapes. It can add to your plan
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The hardest part of creating a seamless pattern is getting the pattern pieces to repeat seamlessly. But don’t worry! That’s exactly what I’m going to guide you through in this tutorial. On the left is a non-seamless pattern, on the right is a pattern of the same elements arranged in a square block, only allowing seamless repetition.
If you don’t have the latest version of Photoshop installed on your computer, there’s a new tool called Pattern Preview that makes the whole process super easy. I recommend reading this article to learn the basics of modeling in Photoshop, and then head over to this new article to learn how to use the model preview tool!
If you are more of a visual learner, it is easier to understand the concept of seamless patterns in video format. I teach the same concept in class – hand drawn seamless patterns in Photoshop. You’ll learn my entire process from creating hand-drawn elements to digitizing them and arranging them into seamless patterns! This is everything I wanted to know about pattern making when I started my first course on surface design, so I’m excited to share it with you.
The best part? New Skillshare users get a free month to check out the platform and take classes! Skillshare is an incredible creative hub with thousands of courses to choose from. I’m constantly pulling new courses, so there’s always something new to learn!
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First, you need some elements that can be arranged in the Form. For my example, I’m using citrus watercolor elements that I drew, scanned, and digitized. If you are going to use tight elements, make sure to remove the white paper envelope first. If you want to know this, read this tutorial before starting the Seamless Pattern. In this tutorial I walk you through the step-by-step process of removing the background from an illustration in Photoshop.
Are you ready to create seamless patterns? Open a new file in Photoshop and get started! Step 1: Build a Square Block Pattern
First, place the elements for the Template in the Photoshop file. Then we will start by creating a square part of the pattern. This will allow us to repeat the stack pattern ad infinitum.
To create a box, choose the Marquee tool (keyboard shortcut: M). Next, draw a square in the middle of the page while holding the Shift key and click to create a perfect square. The size of the square does not matter as long as it is large enough to accommodate the tight elements.
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In my example, I’m going to fill the background of the block model with a dark color so that the painted elements really pop and I can see what I’m doing.
To create a new layer of pri ex. Click on the lower right corner of the Layers tab where it says “Create New Layer”.
To add a background color to the block, select a dark or contrasting color and use the Paint Bucket Tool (keyboard shortcut: G). Click on your street to fill it with color. Now deselect the square using cmd + D keyboard shortcut.
If your squares cover your elements like mine, click and drag the layer globe below the element layer to make them appear on top.
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Make each element layer by itself so that you can move each one. If it hasn’t been done before, you can do it by selecting the Lasso tool (keyboard shortcut: L). I like to use this polygon. Select each element using the lasso, cut it using the keyboard shortcut cmd+X, and paste it in place using the keyboard shortcut cmd + delete + V. On the layer! Once you’ve done that, group all the elements in the layers by clicking on the first layer, holding down the Shift key, clicking on the last layer, and then using the cmd + G keyboard shortcut to group them.
In my example I gave each layer a name and put them in a folder called “seamless”. It helps me stay organized while working.
Now we will start putting the elements on our streets. The key to creating a seamless pattern is the continuity of elements throughout the pattern. Essentially, you create a puzzle using pattern pieces, and all the elements you want to flow over that framework when you pattern it. To make this puzzle, we need to hang some elements from the left side and the top edges. you will cut the pieces and move them to the other edge of the nail. This ensures that when you print out the pattern, the two parts of the element will fit together like a puzzle, creating a seamless look.
If you feel lost, I’ve got you! This example is visible. On the left are the first steps in creating a sample block. I have some elements hanging on the left and top edges. The parts overhanging the bank will be cut and circled to the opposite edge. On the right is what the completed sample trunk looks like. The parts overhanging the edges have been cut and moved, and the area it surrounded is now filled with pieces.
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Now that you know where we’re going, start arranging the elements in the template for your block! Make sure to leave some elements on the left and top edge and notice how the tiles are together. Do not forget that something on the edge is repeated on the opposite edge. Make sure to leave gaps in the areas where you want to repeat the element.
You can move the elements using the move tool (keyboard shortcut: V). I also like to rotate and resize the elements to give the model more visual appeal. You can do this using the Transform tool (keyboard shortcut Cmd + T). I can also copy an element by selecting it and using the keyboard shortcut cmd + J.
We want to test the block first to make sure everything fits together after moving the section and superimposing elements.
First, describe the elements that you have arranged. This allows us to test the Formula and go back and edit the original elements if necessary. Select the wash group and use the keyboard shortcut cmd + J to duplicate the wash group.
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This flatters the group’s patterns so that everyone is on the same page. It is important to make sure that you only confuse the patterns, since you don’t want to match any of the original elements after the experiment.
It’s time to cut off the hanging elements and the top left and move them to the next block.
First, hide the original layers by clicking the layer group on the left side of the Layers panel.
Next, making sure you’re on a duplicate layer, use the Marquee Tool (keyboard shortcut: M). Select all the square elements hanging to the left.
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Move tool (keyboard shortcut: V) and hold the Shift key to contain the locked element. Drag the protruding element to the right of the square. Make sure they are on the edges, because if they are off by even a pixel or two, it can ruin the seamless look of the pattern.
In this example, both the right and left are in good condition. Now we use the same process to move the top facing element to the bottom of the square.
You can see in the example below that I didn’t quite get the golden top right. the leaf slips a little closer