Advanced Blending Techniques For Creating Professional-looking Photo Composites – Learn how to design a realistic fantasy jellyfish floating in the night sky! Blend multiple images using Blending Modes and Layer Masks, then combine with color toning and graining!
Before we can put this fish in the air, we need a way to remove it from its true form, black. So how do we remove only the dark parts of the image? Blending Modes are a quick and efficient way to blend Layers together for composites. Using the mask blending mode, you can make the dark areas of a Layer invisible and the light areas visible with one click.
Advanced Blending Techniques For Creating Professional-looking Photo Composites
To change Blending modes, go to your Layers panel. Inside that, you’ll see a dropdown menu that’s set to Normal by default. Click on the menu, find Screen Blending Mode, and select it. The dark parts of your image will disappear!
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In our example, the legs of the fish are cut to the edge of the image. We can use the Layer Mask and the Brush Tool to create a natural transition from visible to invisible. Just click on the Layer Mask icon to create a layer mask on the jellyfish Layer, then select your Brush Tool and paint black around the border of the image (we recommend using a soft edged brush great). This will completely eliminate unwanted hard edges and background details.
Once your new theme is selected, hold down CTRL or CMD + T to take your editing controls. Now right click on the title and you will see Warp and Flip Horizontal/Vertical options. Use these tools to play with your theme. In our example, we rotate the fish so that its body looks like the Milky Way in our background image.
Once the first fish is placed, you can copy it by pressing CTRL or CMD + J. This will create a new fish that you can move to another place on your image. Please edit this new copy of your study so that it looks different from the original. Press CTRL or CMD + T, then right click and go to Warp. You’ll see a grid of vertical lines that you can click and drag to stretch and resize the image. Repeat this process and create jellyfish of different sizes to add depth to the mix.
You should now have several Layers with fish of different shapes and sizes. From here, hold SHIFT and click on all of these layers. Right click and go to Convert to Smart Object. This will put all the jellyfish in the Smart System so you can double-click to open and edit them if you need to. You will see the jellyfish reappear when you do this. Easily change the blending mode of the Smart Object on the screen to eliminate the black background.
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In order for a part of the image to appear in the foreground, you must first select it from its background. To do this, click on your Background Layer, then go to Options and drop down to Color. The cursor will change to an eyedropper tool that you can use to click on an area of your image and select all areas of the same range.
Use it to click on the trees, and lower the Fuzziness slider until you see the trees are white, and the sky is dark. The white areas will be selected. Click OK, and Photoshop will convert what you see to a selection.
You can use this Option to make the jellyfish Smart Object not appear near the trees, so it is behind the trees. Click on the Smart Object, then the Layer Mask icon. This will do the opposite of what we want (the jellyfish will appear above the trees) so click on the Layer Mask and hold CTRL or CMD + I to invert it. Jellyfish will never be seen anywhere in the trees!
If you don’t want to see the fish in the sky, you can make the sky white with the Layer Mask. First, hold down ALT or OPTION and click on the jellyfish Layer Mask to see what the Mask looks like. Then you can use the Lasso tool Select an area of the sky, then go to Edit and go down to fill. Under Contents, select White and click OK to make the selected area on the Layer Mask white. Open it using CTRL or CMD + D. To clean up the gray areas around the trees again, use the Brush Tool set to Overlay Blending Mode and paint it white. This will reduce the gray areas and not affect the dark trees. Hold ALT or OPTN and click Layer Mask to return to your image.
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Jellyfish are nowhere to be found near trees! To move the jellyfish without moving the tree mask, click the chain link between the Jellyfish Layer and the Layer Mask. Now we are ready to give those fish some results!
In this example, the stars in the sky have certain motions due to the length of time it takes to capture them. You can copy this to the jellyfish to make it look like stars. With the copy object selected, go to its filter, then Blur and more to Motion Blur and move the slider until the jellyfish lines with the star (we stop at 10 pixels).
Continue to integrate the subject into the image by rotating the stars behind them. You can do that with the Liquify Tool. Duplicate the last layer, then go to Filter and Liquify. Under View Options, check Show Background, set Use to All Layers, and set Foreground to see the jellyfish in your work. Now, using the Bloat Tool, click on the star right behind the jellyfish. It helps to change the brush to the same size as the jellyfish you are making (with [ o ] ). Click OK, and we’re off to the final jellyfish job (woo!)
Bring up the Simple Blend Stars image, and remove the background of the star as you did with the fish, leaving only the Milky Way. Setting the screen blending mode may not be enough, so hold CTRL or CMD + L and use the levels to darken parts of the new Milky Way image. The darker the area, the more likely the screen will be lost. Change the Milky Way like light coming from a single fish. Delete and redo by copying, changing, and changing the Milky Way on each jellyfish. Now we are ready to introduce a new lesson!
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Keeping a big fish in the air is fun. Add a touch of style by adding a touch of scale and a pop of color! Take the Simple Blend Camp image, and open the background with Blending Paths and Layer Masks like we did before. This method was successful because all our subjects were very bright in a very dark place. Change and expand a small camp and you will like its appearance among the trees.
Almost done: next time, you can change the color of the camp if you want. Select the camp and click the Adjustment Layer icon under the Layers tab. Go to Hue/Saturation, and change it to just touch the panel by clicking on the square icon with the arrow pointing down. Move the Hue slider left and right until you get the color you want. In this example, we go orange for a movie, tea-and-orange.
After sorting, renaming and organizing the tables we’ve done so far, we’re in a good place to put the finishing touches. We start with the idea of adding color using maps and gradient layers.
Click the Adjustment Layer icon and go to Gradient Maps, then click the top bar to go to the Gradient Editor. Here you will find preset gradients ready to load into Photoshop, but for this example, we are creating our own. Below, you will see a gradient on the left, related to the darkness of the image, and on the right related to the lightness. Just click to select a color on the gradient, which will change everything in the image with that luminance value to that color. In this case, from black, to blue, black, yellow, and finally white. The effect is strong, so please lower the opacity of the layer and cover it from the areas you don’t want to touch. We do this so that the orange stays in the camp.
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Now, Aaron really likes the blue in the shade so we’ll finish the painting process with an Adjustment Layer. Levels are often used to adjust light levels, however