How To Add Texture Overlays To Images In Photoshop For Depth – In this article, we will look at how to apply a realistic texture to a person’s face using a transfer map in Adobe Photoshop.
The process is the same for the full version of Photoshop and Photoshop Elements, they both have a migration filter feature and work in the same way. GIMP also has migration filters, as does Paint Shop Pro. This tutorial focuses on Photoshop, but the process is the same for GIMP and PSP.
How To Add Texture Overlays To Images In Photoshop For Depth
To start, you need your image that you want to apply the texture to, and your texture. For this tutorial I used the following images:
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Both images are obtained from the website of the exchange. Unfortunately, no images are available in 2015, but you can use your own images or download similar images to follow along with the tutorial.
Open the image you want to apply the texture to (in my case portrait) in Photoshop. We create what is known as a migration map to apply to the texture. This makes the texture look like it wraps around the face, rather than a flat texture in front of the face.
We want the migration map to look a bit smooth, so blur the image. I used Filter > Blur > Gaussian Blur and set the Radius to about 30 pixels. The amount of blur needed depends on the size of your photo, the example photo I used was around 10 megapixels. You want the image to be smooth, but with normal definition.
Save the file as a .psd (Photoshop Document) file. Close the file and reopen the original, or return to the original image state. To do this, make sure your History palette is open (Window > History in Photoshop, Window > Undo History in PSE). Click on the status of the story that says ‘Open’. This will restore the image to the state before it was deleted.
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Also import the texture file into Photoshop, and arrange the image windows so you can see both images. You can use Window > Arrange > Tile Vertically in Photoshop or Window > Image > Tile in Photoshop Elements. With the texture selected, click and drag the layer thumbnail from the Layers palette while holding the Shift key on your keyboard. Drag the layer onto the image you want to apply the texture to.
After the texture layer is copied into the base file, you can close the texture file. Resize the texture layer to fill the entire image. In Photoshop, you can press Ctrl + T for the editing tool, which allows you to change and rotate layers. Hold Alt + Shift and drag the corner of the layer to resize it by area.
To rotate the image, move the cursor outside the border of the layer, and you should see the icon change to a rotation icon. Click and drag to rotate the layer as needed. You can hold down the Shift key if you want the layer to move up 90 degrees.
Press Enter after editing the texture layer to accept the changes. Duplicate the texture layer to make a copy (Ctrl + J with the layer selected).
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Affects the effect of the displacement mask on the landscape of horizontal and vertical scales. Higher numbers create a more 3D look to the texture, but also create areas of distortion.
The sticky texture after applying the migration filter with the vertical and horizontal values set to 95 – see the distortion and smearing of some parts of the image
The sticky texture after applying the migration filter with the vertical and horizontal values set to 20 – the result is not “3D” like 95, but with less distortion and smearing.
In the video tutorial I used 95 stitches, but for this version of the tutorial I think I’ll go with 20 for vertical and horizontal stitches.
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It should be set to “Adjust to fit”. Undefined areas should be set to “Wrap Around”.
Click OK and you will be prompted to use the file as a transfer card. Here is the raw version of the image we saved as a .psd file earlier. Select the file and click OK.
In the Layers palette, hide the original version of the texture layer. Then change the blending mode of the transferred texture layer to overlay, soft light or magnify.
I encourage you to play around with blending modes, the best blending mode to use depends on the image you are using.
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I just wanted the texture to work on the girl’s skin, so it was time to use a mask to adjust where it was placed. You can read more about layer masks here: How to use Photoshop layer masks.
Alt-click the Create Mask icon to create a full black mask. Black hides layers, while white is exposed. So paint the mask with a white brush to show the texture effect where you want it. If you make a mistake and paint white where you want to hide the effect, paint it with a black mask color to hide it again.
The hardness of your brush should vary depending on the shape of the edges of your subject. The girl’s ears in the photo I’m working on are a little soft because she’s out of focus. So I use a soft brush around the edges. The center of her chin has a harder, more defined edge, so I use a brush with a harder edge.
For this image I want to work on the neck separately from the face. To make the strand look right, it is not straight from the face to the neck. Instead, start from the face, then under the chin to the neck. The area under the chin is invisible, so what we can do is move a copy of the texture and then apply the displacement map.
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Now we need to apply the displacement map to this texture. You can go to Filter > Distort > Shift again. Or, since this is the last filter you use, it should be at the top of the list of filters. You can also press Ctrl + F to apply the recently used filter with the same settings.
Change the new layer to overlay mode, and create a black mask for it. Then paint the area above the neck with a mask.
In the original image, the neck will never be in focus compared to the face. So we can apply a Gaussian blur to the neck layer to make it look out of focus. (Filter > Blur > Gaussian Blur). I used a radius of 6.
Finally, I duplicated the texture layer for the face, and then blurred it. Using a mask, I merged the opaque layer with the non-opaque layer. It better simulates the depth of field of the real image, so the structure of the ears is more blurry and out of focus than the center of the face.
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To do this, duplicate the face shape layer and press the blur twice. Change the blending mode of the copy to normal, and fill the mask with black. (Continue blending the first layer of face layer and overlay).
With the blurred layer selected, press Alt between this layer and the sharp texture layer to create a mask. Now carefully paint the areas of the mask that have disappeared. Using a graphics card or setting the brush to a low opacity can help create a smooth transition between “focus” and “out of focus” areas.
This editing technique is not something you want to use very often. But it can be fun to use as a special effect on a photo every once in a while.
Tagged with Adobe Photoshop, Apply Face Shapes, Apply Human Body, Photo Editing, Special Photo Effects, Photoshop, Photoshop Transition Filters, Photoshop Transition Map, Photoshop Elements, Text Manipulation
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5 Responses to “Photoshop Tutorial: How to add texture to a face with transfer cards” I took these sad photos recently and thought I would add some creative overlays to make it look different and more interesting. .
Here’s a basic tutorial on how to add an overlay with Photoshop. Take your photos from plain photos (above) to textured backgrounds (above) and finally add realistic or artistic elements to your finished photos (below).
First, I like my photos to have a dark background and look more like a smiling photo. You can read here how I get these types of photos
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