How To Create A Cohesive Look Across A Photo Series In Photoshop – Lately I’ve noticed that some photographers create images that look like stills from a movie. Some of the best-known genre photographers live here in New York, so I brought them together and challenged them to not only create a dynamic personal project on the fly that incorporates this cinematic look, but to show us how it’s done. is achieved. Read on to find out how it all happened…
The power of community is great. In this article I wanted to use it for two purposes. To get started, find out how some “filmmakers” do it and share it with the community. The best thing about this look is that it can be applied to any image, from a street portrait to a landscape shot. The content is much less important than how the image is processed or “processed” (grading and color grading, much like the frames of a movie are processed before being shown in a theater).
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Regardless of your love or hate for this look, I really like the combination of photography and movement, so it was fun to watch and I think others might too.
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Second, I wanted to use the power of community to bring many photographers together for a unique project and challenge.
I came across the work of local New York filmmakers Dennis Cacho and Andrew Maurer. If you’re in doubt about the type of work I’m describing when I talk about film-style shoots, check out some of their work here:
Andrew, who was born and raised in Brooklyn and is widely known as a filmmaker, explained how he arrived at this image: “As I wanted more and learned how to create better shots, I became really interested in the process of drawing and shaping of my images. . . these scenes are like stills from the movies.”
For more information about Andrew, you can check out this short interview recently published by Notion Boulevard:
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Dennis from the Bronx has also demonstrated a knack for filming in a cinematic style, as seen in his footage here:
Andrew and Denise love to tell stories. When I asked about their motivation for capturing this image, Denis said, “I loved seeing how much an image can convey and tell a story that doesn’t exist. What caught my attention about the cinematic photography was the dramatic framing and lighting in most of the images.
Denis and Andrew were shooting with the same cameras that day, but in completely different ways. Andrew shot primarily with a Zeiss prime lens, focusing manually using the LCD. Dennis switched lenses and started shooting more traditionally through a viewfinder.
I was curious to see if I could create (at least a little) something new in the photography community. This is how our story began.
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I went with Andrew and Dennis and we spent a few hours walking together while they filmed the roads. The challenge was to tell the story of the city but interpret it through our eyes and see if we could tell a coherent story using both sets of images.
It was a friendly challenge for both of them to see how two photographers could work together, inspire each other and use their vision and style to interpret the same scenes in different ways. While the results may not have matched perfectly, it was great to see them working together and inspiring each other.
Sam’s The Tailor, a true Lower East Side institution. After posing for street portraits, he immediately tried to invite us to try on the suits in his shop.
Helena was a character. She lived in this area for more than 50 years. She had a story or two!
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As Dennis points out, there’s more to it than just choosing an interesting topic. “It is not only about the person, but also about the environment. Sometimes before shooting, you need to study a person’s movements for some time. Knowing how to frame a picture is definitely a good starting point.”
Andrei was of the same opinion. I asked him about the difficulties of shooting this way. “It’s also important to give the viewer an interesting perspective. Taking an interesting photo outdoors can be challenging. You hope your things will fall into place, but sometimes they don’t. It’s out of your control, but maybe that’s part of the fun when it all comes together.
Andrew takes portraits of Sam, scanning the street for someone who might sell him a suit or three.
Did the boys tell a coherent story? You can decide. Regardless of how successful or not this challenge was, it definitely brought three strangers together and allowed us to have a few hours of photography fun and conversation.
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“I met some of my favorite photographers from around the world who came to visit me in New York. Participate in advertising campaigns for the equipment I use to shoot (Canon – Asia) (Carl Zeiss Lenses – Germany). I have done commercial work for hotels and large businesses all over New York City. I am currently working with Dj Premier on a video series called Booth Bars.
“This style has helped me get a few paying gigs. I was just asked to do an engagement shoot that was different from most traditional engagement shoots.
I asked Denis and Andre how they managed to achieve this look. Although both agreed that there is no magic formula for every shot, as each shot has its own nuances, the approach was common.
I start with DPP (Digital Photo Professional), where I process the RAW file. I adjusted the tones and played with the curves and then imported into Lightroom. In Lightroom, I do more color correction, perspective correction, and cropping. I go into Photoshop where I do the final touches and polish and then add the paper box.
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Dennis decides to use Lightroom for his color and grading work, then, like Andrew, follows some simple steps to apply the widescreen look and details how to achieve that look by following these steps to adjust the image globally:
Step 2: Play with split toning to get a pop of color (see the example where warmth adds to the fall feel).
Step 5: Add some outline and grain to make the image look more filmic, less digital and cleaner.
Step 6 – Export to SP. Click on the lock to unlock it (Option (Mac) or Alt (Windows) on the lock.
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Step 8: Use the Marquee Tool to select a fixed aspect ratio. Enter 16 for width and 9 for height to create a 16:9 widescreen image. Extend the canopy to cover the 16:9 crop area. From the menu, select Image > Crop.
Step 9: This time choose a fixed ratio of 2.35:1 for the anamorphic load. Don’t crop it – instead add an adjustment layer and click the little “link” symbol between the image and the adjustment layer to disconnect them from each other.
Step 10 – Go back to the layers panel. Right-click the mask and select Apply Layer Mask to apply the mask to the image.
Step 11: To perfectly align the image to the black letter boxes, press Cmd (Ctrl on Windows) and A to select the entire document, then right-click on the adjustment layer and use the layer mask to apply an image mask.
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Step 12: Select the entire document, then go to the Layers menu and choose Align Layers to Selection, then choose Vertical Centers to align the layer vertically.
For more details and full details, check out this video, courtesy of Brody Butler:
I hope you found this article useful and helped you learn how to give your images a new look. I love when photos look like they came from a movie. As the world of ultra-high definition and cameras capable of shooting at ever-increasing frame rates continues unabated, I’m sure we’ll see more of these devices in other projects in the future.
This exercise was also a testament to this site and community. Whether you’re a reader or a writer, we all have the opportunity to connect with each other in new ways. I highly recommend this place, we had a great time and made new friends. If we all take a small step to reach out and unite others in our community, we will all be so much better off.
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If you’re passionate about taking your photography to the next level but don’t know where to start, check out the All-in-One Photography Guide where you can learn eight different genres of photography in one place. If you buy it now or any of our other guides, you can save 15% by specifying “ITEM” at checkout.
David is a full-time photographer, videographer and video editor in New York City. Fashion, portraits and street photography