How To Create A Surreal Double Exposure Effect In Photoshop – Surrealist photography – especially double exposure – has become more popular in recent years. This style of photography allows me to tell a person’s story using just one image. The types of stories that inspire me are usually deep and personal, hard to describe without words, but with modern cameras and software they come to life.
I often try to translate feelings into an image. Have you ever felt alone, directionless, drained? That feeling is certainly nothing new to me; sometimes it feels like there is nothing inside you – just emptiness. That was my inspiration for this film. I didn’t know exactly what I was looking for at first, but instead of planning, sketching and overthinking, I decided to go into the woods with an open mind. There are so many factors that can change your original plan – sometimes you just have to trust yourself and your creative mind.
How To Create A Surreal Double Exposure Effect In Photoshop
Double photography means placing two images on top of each other. While not all DSLRs support this option, I found a few that do. I used the Canon EOS 5D Mark III, but you could also try the 1D X and 70D; most Nikon DSLRs; Fujifilm’s X-Pro1 and X100. Play with the settings: each camera can be smaller, but the effect should be the same.
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You can also achieve this effect with Photoshop. Simply layer two relevant images on top of each other and change the blending mode of the top image. Since I set the camera to save both exposures, I can layer them on top of each other in Photoshop and slowly change the opacity of the top layer. It’s the same thing that happens inside the camera: since the beginning of cinema, double exposures have been an important part of creating beautiful, lifelike images. In this tutorial, we’ll not only show you how to create your own double exposure effect, but we’ll also show you how to do it with a video in Photoshop.
For this tutorial we’ll use two videos: one of Angela in silhouette against a plain white background and one of a sunrise shot in the desert that we shot with a drone during the Photography 101 shoot, practice or use your own! For this particular technique, use one video with dark footage on a light background, and the other video can contain whatever you want.
Dropping videos from your File Explorer into Photoshop adds them as layers and turns them into smart objects. The first thing you’ll want to do is open the video’s timeline. Go to the window and then scroll down to the timeline. The Timeline window opens, allowing you to create a video timeline or frame animation. Select the video timeline.
Blending modes in Photoshop make double exposure effects very quick and easy. Make sure the layer with your subject’s silhouette is at the top of the layer stack. Your other videos should be right below. Change the material layer’s blending mode to Screen. This will make most of the dark areas transparent and make most of the lighter areas opaque.
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That will take us as far as we can get there. The background is still only visible in the white areas of the video. We can fix this by using the Levels Smart Filter. Just select the layer with your subject and press CTRL or CMD + L. Since the layer is already a smart object, Photoshop will use the layers smart filter. Levels allow us to adjust the light and dark areas of an image.
Select the slider on the right that controls the white dot on the image. Drag it to the left until the background is completely white and opaque. Then take the slider on the left that controls the black dot in the image and drag it slightly to the right. This will add some contrast to the background image.
We’ve got the look we want, now we just need to trim our clip to the part we want to use in our final video. Scrape each clip until you find the starting point of the video you want. then simply drag the start and end of each video to match the start and end points you want.
The cake is ready, now add the cream. A little color can help set the tone and style. Since Photoshop treats video like any other layer, we can use the Levels adjustment layer to get the job done. For our version, we selected the blue channel in the Level Properties window. Adding some yellow to the highlights and blue to the shadows gave us a look we were happy with. You are welcome to experiment! Color and pattern are completely subjective, so feel free to push it as far as you want.
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Photoshop also allows you to create videos. Go to File, Export and select Render Video. Adjust the settings to your liking – we used H.264 with high quality and a resolution of 1920 x 1080. Previously, the double exposure effect was achieved by simply using the camera to combine two separate images to create a stunning abstract image. Recently, double exposure photos have become popular again and many people are making real photos, but now it is usually done with software like Photoshop.
Usually portrait and landscape are combined into one, so this is what our tutorial today will show you.
Choose the appropriate picture for this exercise. Portraits with dark colors such as brown hair on a light background work well because they help bring out the details of the landscape.
Open both original photos and place the cityscape over the portrait. Change the blending mode of the city to screen. Here, think about the composition of your photo, as the placement of your cityscape can have a dramatic effect on the final image.
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I’ve desaturated both images so we can add custom colors later. To do this, go to Image > Adjustments > Desaturate (Shift + CMD + U)
As you can see in the image above, I’ve added a smart filter (to do this, just right-click the image in the Layers panel and select Convert to Smart Object) to each layer. I used this nifty filter to adjust the Curves to get deeper blacks in the face and hair shadows. Doing this helps bring out the brighter colors in the cityscape.
Now it’s time to add some dramatic lighting. For this I have used a light leak found on Google Images. Drop the desired light leak into Photoshop, set the blending mode to Screen and create a layer mask. Then use a soft brush with the foreground color set to black to smooth the edges of the light leak image.
Now is a good time to play with the image’s lines and color balance. I chose yellow highlights and dark blue shadows.
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Now that you’ve finished your new design, why not print it on a professional or glossy poster printer?
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