How To Create Detailed Digital Illustrations In Photoshop With Ease – Who’s ready to learn how to quickly and easily create digital images in Photoshop (or any imaging software you own)?
Here’s a simple tutorial explaining how I easily created a digital portrait from a photo I took in Venice a few weeks ago. I chose this image because my son looks dreamy and different from the usual cuteness of gondolas passing under the bridge.
How To Create Detailed Digital Illustrations In Photoshop With Ease
1.) First, I reduced the image size and added a very simple art filter to it. I usually like “dry brushing”.
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3.) I then created a “mirror” in the layer above the image. I adjusted the opacity of all layers to match what was shown and how much.
5.) Finally I went into the image layer with a very “sparse” eraser and clicked to bite into the original image. However, if you look closely, you can see where the rest is.
6.) Finally, I finished the work by flattening all the layers and dragging the score tool along the edges for a stylized look.
Now it’s your turn! Don’t be shy. What are you doing Please post a link to your photo in the comments.
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NOTE: You can see more images created using this technique (and watch me create them step by step) in the free example lessons in my new course Photoshop: Quick and Easy Digital Drawing Like a Pro. This is the third step and the main part of the preparation for creating a digital image from a photo or Photoshop image. The previous step in this tutorial (where I set up the base image) can be found here. In this section, I’ll explain how to enhance your photos/originals in four different ways so that you can create high-resolution digital images.
If you want to follow the same image I used, you can download the file here. Simply unzip the file and open the .JPG file in Photoshop (as a Smart Object if you prefer). Feel free to post your scores, but I’d be grateful if you could provide attribution information or a link to this guide.
The next part of the digital drawing creation tutorial will be to create the main working layer using Topaz Labs’ Studio 2 software, but of course you can use other programs and plug-ins to perform operations that produce similar results.
For this tutorial, I’m assuming you have Adobe Photoshop installed (I’m using the Photographer subscription) and Topaz Studio 2. Different settings are required to achieve similar results.
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The Impression filter/plug-in has saved me a lot of time creating digital images, I used to paint these layers manually, now I can use this amazing plugin and focus on creating the main parts of the image. Of course you may prefer a different technique where you draw everything yourself, I’m just showing you how I create the work I post.
We start with the original image and name the layer “Original” by double-clicking on the layer name. If this is a regular layer, change the name to “Original”. For me this is usually a smart layer opened from Lightroom (edited to/opened as a smart object in Photoshop) or another final Photoshop result.
I won’t touch this “original” layer throughout the process, so it will serve as a backup for comparison.
If the “Original” layer is a regular layer, duplicate the “Original” layer twice and name the first copy “Basic” and the second copy “Basic Color.”
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If your “original” layer is a Smart Object (like my example), create a new layer above the original layer by clicking “Layers” in the Photoshop menu, then selecting “New” and then ” Layer’ and name it ‘Base’ layer. Now, press SHIFT+CMD+OPTION+E on Mac or SHIFT+CTRL+ALT+E on PC simultaneously to create a visible stamp layer. Now duplicate the created “Base” layer again by right-clicking on the “Base” layer and selecting “Duplicate”. Rename this new layer “Basic Color”.
The “Basic Color” layer will be the first layer we need to use Topaz Studio 2, so select it from Photoshop’s “Filter” menu. The program will start loading images.
After opening your photo or photos in Topaz Studio 2, click the blue “Add Filter” button and a list of filters will appear. Find the “Abstract” filter in the “Styles” section.
Turn on the Simplify Size slider until all the small details are lost. I usually choose a value between 30 and 60 depending on the type of image I’m working with.
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When you’re satisfied with the results, you can apply the filter by clicking the “Accept” button in the upper right corner of the main screen.
Then duplicate the “Basic Color” layer and rename this copy “Rough”. You can do this by selecting the “Basic Colors” layer, then selecting “Layers” from the Photoshop menu and clicking “Duplicate Layer…”. Name the new layer “Grapo”.
Select the “Raw” layer again, select “Filter” from the menu, then select the Topaz Studio 2 plug-in again. You will be returned to the main Studio 2 screen. Click the blue “Add Filter” button again. Then it’s time to look for the “Fashion” ” section under the “Appearance” filter. Now things are about to get interesting! 🙂
In this step we need to create a rough color version of the image. Make sure to turn off textures (the last option), but feel free to experiment to get the best results for your taste.
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As you can see, I increased the Paint Opacity slightly to make sure the brush strokes were more visible or had more contrast. Lowering this slider will make the effect softer.
Increasing the color intensity slider will give a more saturated and textured image which I really like, but not at this stage of the painting. We’ll add this later. You can change the shape of a stroke by changing the stroke rotation and rotation difference. Also a really nice touch later in this guide.
I increased the stroke color contrast slightly to bring out more color variation.
I kept the Stroke Width and Stroke Length at 0.00, but this will vary for all images depending on the image type. For example, a rough layer for a portrait. I would use a longer and wider brush.
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The Spill slider also adds contrast and texture to the strokes, so I turned it up a bit, and the Smear slider blurs the brush strokes. I play with texture, contrast and brushstrokes by capturing spills and smears, but typically the rougher layers in my work are less contrasty and I use softer brushstrokes for a softer look.
I left the “Color” and “Brightness” sections at their default values and the “Texture” section should be set to zero.
When you’ve finished the game and are happy with the results, you can simply click the Accept button to save the effects to the Rough layer, but if you plan on using this technique frequently to create digital images, you can just click on the Accept filter Save the appearance you just created before. Just click the “Save Layout” button in the upper right corner of the main window and name the layout “Start Board”, for example now that we have completed this layer.
Then select the “Base Layer” containing the original image/work and duplicate it, name the duplicated layer “Medium”, then repeat this twice and name the layers “Fine” and “Fine”. Now turn off the visibility of the beautiful superfine layer.
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Next, we’ll repeat the steps for the Rough layer, but with slightly different settings. Since we are now using a base image as input to the presentation filter, we have more details to deal with.
Select the “Medium” layer, then choose “Filter” and “Topaz Studio 2” from the Photoshop menu. Click the blue “Add Filter” button again and select the “Impressions” filter.
This time I selected the first (default) brush stroke and chose a Medium number of strokes, a slightly larger Brush Size and Color Size, and increased Color Opacity.
I’ve left all other settings at default, but I encourage you to play around here and really get this layer to your liking. The key is to have this layer contain the right amount of detail and color.
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When you’re ready, don’t forget to save the layout for later use and click the Accept button to save the result in the Medium layer.
Then add a solid black mask to the “middle” layer to make it invisible. The shortcut is to press option/at and click the mask icon at the bottom of the Layers pane.
If all goes well, you should see the contents of the “Rough” layer.