How To Create Dynamic Poses In Digital Art Using Photoshop Tools – Welcome, I’m Daniel and I’m going to share my method of creating dynamic action poses and the topic of today’s tutorial is [Let’s design dynamic action poses with CSP] so stay with me as I work it out.
We learn ways to improve dynamic action positions and try to create better energy flows, emotions and body movement.
How To Create Dynamic Poses In Digital Art Using Photoshop Tools
[Notice how the right hand gesture shows energy, emotion and dynamic movement while the left hand shows no dynamism]
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Since today’s tutorial is not about anatomy, I will just point out the important parts of the anatomy and the various errors or mistakes the artist made (Don’t use).
Anatomical drawing works hand in hand with dynamic poses because we cannot design dynamic poses until we know “how the muscles connect to each other”, “how the different parts of the body are positioned” and “how they look when we do certain movements”. So learning more about anatomy helps us understand how the human body looks and works, but before we start drawing in motion.
We must first know the various human bodies that make up the whole body. are as follows [head, neck, chest, abdomen, pelvis and upper and lower extremities],
Whether it’s a dynamic pose or not, anatomy is never overlooked as a subject when trying to draw.
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For the neck, design or design of the neck when it is attached to the head, if we want to draw poses very quickly, it is round or tubular, but if we look at the neck in detail, there are three tubes, two come . forward and a large one backwards.
To build the trunk, we start with these five steps. Step 1 (Draw the chest, abdomen and pelvic bones marked in red, then two circles at each end of the pelvis and the spinal cord shown in blue, then complete the drawing of the legs in green. Color).
The trunk is the center of dynamic postures that bend the chest and legs to one side at an angle of 30 °, changing them from a stationary position to a dynamic position.
The joints of the thorax, spine and pelvis are connected together with the spine at the back of the human body, as shown by the square block method, in green [point C].
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And the rib cage at [point A] is like an inverted heart and the pelvis is butterfly shaped and is at [point B], so we can draw a very simple theme to use this principle as a guide.
[Note: the body can be designed with common objects around us, such as a column and a stack of boxes]
[Note that when we put the arms back or forward, we must avoid pulling them straight, because they are not straight, but slightly bent at the elbow]
[Note that the legs are not straight, but curved from the hip bone to the toes, so don’t pull them straight]
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Visuals★ CSP has a variety of pre-made figure poses in the asset store, so you can try any of them out.
Now that we have a good understanding of the anatomy, we can move on to the next section
We have to focus, and if we’re slow, not only does that mean our design has to take hours, but you can take [the comfort] out of the design experience. When you draw, hesitation makes the image static, slow and time-consuming. But if we can draw lines without worrying too much and have a good understanding of anatomy, we can get better results [as we see with male and female ballerinas and mermaids].
By understanding the anatomy, we notice the different bends of the pelvis and extremities as shown below.
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Now that we have a complete understanding of the anatomy of the entire human body, we can move on to the next aspect of the tutorial.
[Note how different figures have different patterns when it comes to body mesh, for example the mesh for the left figure looks like a “normal mesh” and the right mesh looks like a “motion mesh”]
[Foreshortening] is the right expression to measure the perspective of the characters well, because foreshortening helps to create the subjects and also helps to distract the subject by bringing it closer to the camera, the ‘depth and proportions of the subject in every shot. Goddess.
To better show the movement of our subject, we have an effect called trailing speed lines, which we can use to detail our subject or anything that moves.
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The effect expression for the third figure [motion] is not the motion effect, but the effect of the second figure [motion action], which is the speed line effect, is the correct and best effect to express the movement of the subject below.
The arrow shows the impact of the other object and how perspective placement helps the scene.
It’s also recommended to use people close to you, such as friends who like to play, to get a feel for body proportions or development in perspective by over-cropping or shooting them at low or high [camera angles] .
[Note that the line is a red line running through the subject’s body, enlarged lines to balance the figure]
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After is used to show the motion of the object as it was before entering the presentation state.
When we talk about real dynamic action positions, we mean dancing, running, etc. as we have different expressions, but when we talk about bold dynamic action positions, position, proportion, intensity, energy, etc. it’s meant to be. ,
This example shows that one subject attacks while the other defends with the need to show and give energy.
In this second one, two people are fighting each other, but both are in an offensive position, waiting for a fatal attack on the other opponent.
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For a story to be daring, the story has to be unexpected, and you can see that in these two titles.
We choose this main image over the others because I think it’s best to show a bold dynamic action pose with unexpected events and to draw it we start with the canvas open in CSP [Clip Studio Paint] and then create a layer like the drawing split in two. step,
Step 7, we click on 1, we create two effect layers, green and blue, and then [checkpoints] we can use 4 to adjust 5 by clicking on 6,
To finish, I press 1, the screen panel appears, then I select 2 and change 3 to 5,
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I hope you have a lot of fun making these sketches. My advice to all readers, and I do the same, is to find time to practice, because practice makes perfect, and practice different dynamic poses from different angles, for now I bid you farewell. The Free Transform tool in Photoshop is a powerful feature that allows you to resize, rotate, distort and precisely manipulate images. Learning this tool will greatly increase your editing skills and creativity.
Free Transform combines many transform options into one tool. It allows you to scale, rotate, warp, crop and distort images in one step. This versatility makes it a must-have tool for all Photoshop users.
To activate Free Transform, select the layer you want to transform and press Ctrl+T (Cmd+T on Mac). This will display the transform handle around the layer. You can then adjust the image using these buttons.
Scaling an image changes its size. You can increase or decrease the image size. Hold down the Shift key while dragging the corner handles to maintain the aspect ratio. For more information on maintaining image quality, see Changing DPI in Photoshop.
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Rotating an image can add dynamic angles and perspectives. To rotate, move the cursor out of the corner handle until it becomes a curved arrow, then tap to rotate. For advanced manipulations, including rotation and masking, see our article on how to mask in Photoshop.
Tilt and shift can give your image unique perspectives. Hold down Ctrl (Cmd on Mac) and drag the corner handle to bevel. A tutorial on using the clone stamp tool for creative effects and alignment adjustments might be helpful.
Output transforms let you bend and curve images in creative ways. This tool is great for creating unique shapes and effects. click on
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