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How To Develop A Color Palette For Digital Illustrations In Photoshop
Want to learn how to create custom color palettes? In this tutorial, I’ll take you step-by-step through the process of creating a color palette in Photoshop. Color is something I see beginner artists struggle with when they start creating art. Color is a key part of any description, but it’s not always easy to know where to start.
A Collection Of Pretty Procreate Colour Palettes
In this tutorial, I’ll show you how to create beautiful custom color palettes by sampling colors from reference images.
You can download a free copy here. Just scroll down, enter your email, and you’ll be redirected to your Dropbox folder where you can download the palette.
If you want to make your own color palette spreadsheet, just draw some black boxes in Photoshop and leave room for an image that you can reference. The black boxes are what we color in to create the color palette.
Start by opening a color spreadsheet file in Photoshop. When creating your own color spreadsheet, build it like the image above. You can find great reference photos on Unsplash – a website that offers free photos.
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In this example, I’ll show you how to sample the color from the top left image in the spreadsheet.
This is a good example of complementary color schemes. Blue and orange are opposites on the color wheel, which tells me it makes for a nice, balanced color scheme. Additionally, the photo has some neutral colors that are always good to incorporate into your color palette.
When looking at reference images, think about the different colors you want to try for the color palette. I always like to create the top row of the palette with darker colors, then fill the bottom row with lighter colors of the same color.
In this example, the two primary colors are blue and orange. So I knew I would start with darker blue and darker orange.
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I also like to incorporate neutral colors into my color palette. It gives me a lot of flexibility and creates more interest in a piece than sticking to straight white or straight black. In this photo I noticed that there are some nice charcoal grays and some lighter light grays that I could use for neutrals.
After you’ve looked at your photos and have a general idea of ββthe colors you want to choose, it’s time to start looking!
The easiest way to sample colors to create your color palette is to use the eyedropper tool. You can find it in the side toolbar or select it with the keyboard shortcut “i.”
With the eyedropper tool selected, start by hovering over one of the colors you selected in the previous step. Then just click to get a color sample. I start with a darker orange, and I can tell it’s sampled because my color picker’s foreground color turns dark orange.
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Now that you’ve tested your color, you’ll want to add it to one of the black boxes below the image. Select the Paint Bucket tool by clicking it on the toolbar or pressing “g” on the keyboard.
Now your paint bucket has the color you just tried and all you have to do is click on the black square to fill it with that color.
Repeat these steps to switch between the Eyedropper Tool and the Paint Bucket Tool to fill in the rest of your palette. In my example, I used dark wood and dark blue to fill the top row of the palette.
I then proceeded to repeat the process of testing a lighter shade of each top color for the bottom row.
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If you don’t like the color you try, no problem! You can just go back to the eyedropper tool and keep trying until you find a color you like.
In my example, I swatched a very light gray for my final color and I didn’t like how it turned out. So I went back to my eyedropper tool to find a darker color.
The only problem is that because I filled the box with a light color that was almost the same as the white background, my entire background was filled with a new darker gray.
The reason this happens is because the colors are too similar and the tolerance setting is too high at the default of 32.
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To help the Paint Bucket tool distinguish between two white colors, you need to set the tolerance to a lower number. I set mine to 1 and it can only draw that square instead of the whole background.
If you followed along with the free color palette I provided, please complete the rest of the palette. Mine looks like this at the end of it. Yours may look different, but that’s the beauty of a custom color palette. You can create something that is completely personal to you and reflects your unique vision.
The best part about this color palette style is that you can do it with any photo! I mainly use my own travel photos to create a color palette. It gives my colors a unique personal touch and is just plain fun!
Hope you enjoyed putting together a color palette today! If you have any questions, let me know in the comments!
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My Nurturing Color class is a detailed guide to everything you need to know about color. In this class, you’ll learn step-by-step how to turn your artwork into a rich collection of color variations using a few simple Adobe Photoshop tools.
There is strategy behind choosing a best-selling color palette. More color options = more sales opportunities! For each illustration I create 5 to 10 different color variations of the original artwork. It means me
Photoshop, photoshop tips, photoshop techniques, photoshop tutorial, photoshop basics, photoshop for artists, photoshop tips, learn photoshop, edit photoshop, adobe photoshop, remove background in photoshop, learn photoshop online, art, artist , artist resources, cat, , cat coq , cat coquillette, remove background, remove, remove background, remove objects in photoshop3 Comments I am uchuubranko, a digital artist who loves fantasy. In this tutorial I show color palettes, combinations, how to mix patterns and how they can create fascinating contrasts! These patterns are not set in stone, so through experimentation and practice you can get closer to your own style! After all, we all have different preferences when it comes to colors! π
I love highly saturated compositions. The “base color” is between ‘dark and light’. I choose most of them from the middle right side of the wheel.
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To create unity, I use colors in the middle. They bring balance to the composition, mainly in the shadows and lights. They have the same level of saturation or slightly less, as shown below. Use the Pick Up Tool after you paint, zoom in on the canvas, and pick one of the colors!
As stated above, I avoid them because pure neon doesn’t mix well with other neons and most produce intermediate colors that I don’t need, like light brown. But remember it’s just me.
I arrange/design/sketch my artwork elements to match my coloring style. Setting the tone is responsible for your mood, structure and overall workload. My style leans towards blues, purples and oranges.
I adjust/design/sketch the lighting sources of my artwork to suit the setting and my color style.
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Morning light, forest, flying fairy = dark sunlight + dark leaves + glowing dot (fairy) in a bonus potion.
I put shadows and highlights that are different from the base color and taken from the surroundings to balance the drawing.
I avoid adding shades of the same color. Here I painted 3 versions of my primary colors. You will notice the vibration of the 2nd row after applying the overlay over the base.
To use a normal color, . If you have overlays on multiple layers, . If you only want an overlay on one of the layers, it on your layer and then merge the two.
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The overlay has trained my eyes for years and now I only use the overlay on the bottom of the image. However, they are very useful in knowing what “mood” fits your work.
Contrast often makes a very strong impression. It makes some parts stand out through the composition and in this case, the lighting. It has a strong right. Even soft tones can have an effect!
Now at this great power our eyes will marvel forever!
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