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How To Use Advanced Tools For Creating Seamless Textures In Photoshop
In this tutorial, you will learn how to create a seamless or repeating pattern in Photoshop using the view tool. The preview tool has completely changed the way I design in Photoshop, so I’m excited to share it with you!
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First, let me briefly explain how the random method works. A seamless pattern is a series of patterns that can be repeated without conflict or distortion. The golden rule for repeating patterns is that whatever is cut on one side of the pattern block must be repeated on the other side so that the pattern repeats smoothly.
Before drawing, you must read this manually every time you move an object off the screen. Now, Photoshop allows us to edit our pattern blocks and see how the whole scene will look in real time.
Before jumping into this tutorial you’ll want to make sure you’ve added the elements you want to change to the pattern and set them in place. If you don’t know how to do this, check out this helpful blog post to get you started:
Which makes the system seamless. I want to make this process as simple as possible, but I understand that this can be difficult when you’re learning how to do it. If you’re a watercolor student and want to see how this technique works step-by-step, check out my class, Watercolor Seamless Patterns: Surface Design in Adobe Photoshop.
2 Minute Photoshop
This set is a complete guide to all the smooth projects I use as a top designer. I recommend you check out for a deeper understanding of seamless patterns in Photoshop.
To get started, you need a few things to set up the system. In my example, I will use a watercolor orange fruit that I photographed, scanned, and digitized. If you are working with painted parts, it is important to remove the white paper base first. If you want to learn how to do this, skip ahead to this tutorial before starting your seamless pattern. This tutorial will walk you through my step-by-step process to remove the background from your photo in Photoshop.
Start by opening a square canvas in Photoshop. I always use 12,000 x 12,000 pixel canvas for my blocks because I want the flexibility to use them for larger productions. But this is a very large canvas, so if you try or don’t want to use your design on a large object you can use a smaller one. Make sure it’s a big square!
Now you can drag and drop objects to make unlimited changes. Make sure that the base of the white paper is removed and all the layers are separate.
Sketchup Materials And Textures For 3d Models
If you have not separated anything on the side you can do it by selecting your Lasso tool (keyboard shortcut: L). I like to use the Polygonal Lasso for this. Select any object with your lasso, cut it with the keyboard shortcut cmd + X, and replace it with the keyboard shortcut cmd + shift + V. This puts the object where it was before, but in its own layer!
The last thing you need to do when preparing your side is to do it smart. The really smart thing is the high quality of all the units. This gives you flexibility without breaking the bank. But what you need to know is that the model only works with smart objects.
To convert any object to a smart object, select the layer, click the layer menu, select smart object, and click “Convert to Smart Object”.
You will be able to confirm that it is smart by looking to see that there is a small box on the screen. This is Photoshop’s way of making sure it’s subtle.
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Once you’ve made all your items smart, don’t forget to save before moving on to the next step!
Now that all your objects are separate and converted to smart objects, your square screen should look like this.
In my example, all my pieces are stacked on top of each other in the corner, but that’s okay for now. We’re going to start making it into a pattern!
Next, make sure Auto-Select is enabled. This will help you select an item when you click. Use the keyboard shortcut: v to select the navigation tool. From there, look in the upper left corner and make sure the box next to “Auto Select” is checked.
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Now is the time to start planning! Open the Image Viewer by clicking the “View” menu and selecting “Sample View.”
If you look inside you will see that it has copied the elements and shows you what the model looks like.
To start editing model blocks, make sure the move tool is selected, and start moving parts one by one!
In my example, you can see that the part of the flower cut out at the top of the block is repeated at the bottom. This is the miracle of Model Appearance!
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Here are some quick tips for organizing your sessions. When I work unevenly, I always start by placing the main layer, then move to the middle layer, and finish by adding smaller ones in the space between the layers.
The purpose of having a static image is that the whole image looks fluid. You don’t need to see where it starts and stops, and you don’t want your session to look repetitive. To combat this, I use the same thing again, but rotate, rotate, or change it so it doesn’t look too similar.
Select the object you want to copy and use the keyboard shortcut: cmd + j to copy the object and paste it in a new field. It won’t look like anything is happening, but you will be able to see on your screen that you have a copy of the session.
The new object is on top of the old one, so separate it by selecting your move tool, clicking on the object, and dragging it to the new location of your model.
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If you want to rotate or resize your object, use the keyboard shortcut: to access the Transform tool. This creates a bounding box around the object. From here you rotate the object or grab the corner of the bounding box to change its size.
Changing your settings can make a small difference to your model. To flip an object, make sure it is selected, then right-click, then select “flip horizontal” or “flip vertical” depending on your preference.
Once you have your sample area in a good place, I suggest you import it to get a larger image and see if there are any parts of the sample that might be a little liquid. In my example, there are some gaps in the example that I can see once I zoom in. I finished filling this other part to make the model more cohesive.
When you turn off Preview, you’ll notice that some “clip” items are missing. No worries! You do not lose any work. Duplicate information is only visible in Sample Analysis. When you turn it on again, the feature will appear.
Watercolor A Seamless Pattern: Surface Design In Adobe Photoshop For Print-on-demand
I hope you enjoy this look at Patterns app! This app has made a difference in my lifestyle and I hope it will in yours!
These courses scratch the surface when it comes to photography. If you want to learn how to create a professional seamless pattern from your hand painted images, I’d love for you to join my class, Watercolor A Seamless Pattern: Surface Design in Adobe Photoshop.
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Stephen G. Petrany is a full-time artist and part-time Lecturer at Bradley University, United States. He likes to work in Photoshop … More by Stephen↬
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