Step-by-step Guide To Developing Your Own Digital Painting Style In Photoshop

Step-by-step Guide To Developing Your Own Digital Painting Style In Photoshop – This is the third and main step in preparing to create a digital image from Photoshop. The first step of the tutorial where I prepared my base image can be found here. In this section, I will explain how to enlarge your original image in four different ways to create a high-quality digital image.

If you want to follow along with the same image I’m using, you can download the file here. Unzip the file and open the .JPG file in Photoshop (as a smart object if desired). Feel free to post your results, but I would really appreciate it if you could post a link or provide a link to this tutorial.

Step-by-step Guide To Developing Your Own Digital Painting Style In Photoshop

The next part of creating a digital painting tutorial will be using Topaz Labs Studio 2 software to create a basic work layer, but of course you can use other software and other things to produce the same results.

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For this tutorial, I’m assuming you have Adobe Photoshop (I’m using Photographer Registration) and Topaz Studio 2 installed. The old Topaz Impression and Abstraction plugins (alone or added to Topaz Studio 1) will also work, but they require different settings to achieve the same results.

The Impression Filter / Plugin saves a lot of time creating digital images, because I used to paint these layers by hand, now I can use an amazing plugin that focuses on the main part of creating the image. Of course, you may prefer another technique and draw everything yourself, I’m just showing you how to create the creation I posted.

We start with the original image, double click on the layer name, if it is a normal layer, change the name to “Original” and call it “Original”. For me, it’s usually a smart layer opened in Lightroom (Edit/Open as Smart Object in Photoshop) or another Photoshop product.

I didn’t touch this “original” layer during the whole process, so it’s like stock in comparison.

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If the “Parent Layer” is a normal layer, duplicate the “Parent” layer twice, name the first copy “Primary” and the second copy “Primary Color”.

If the “Parent” layer is a smart object (like this example), click “Layer” in the Photoshop menu, choose “New”, then “Layer” and name this layer. Below’. ‘. Now press SHIFT+CMD+OPTION+E on Mac or SHIFT+CTRL+ALT+E on PC to reveal the layer. Right click on the “Base” layer and select “Duplicate” to duplicate the created “Base” layer. Rename this new layer to “Base Color”.

The First Color layer is the first layer you need in Topaz Studio 2, so choose it from Photoshop’s Filters menu. The software will launch once your image has been uploaded.

After opening your photo or image in Topaz Studio 2, click the blue Add Filter button and a list of filters will appear. Find the Abstraction filter in the Methods section.

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Play around with the size of the simplifier until you lose all the details. I usually choose between 30 and 60 depending on the type of image I’m using.

When you are satisfied with the result, you can apply the filter by clicking the Accept button in the upper left corner of the main screen.

Next, duplicate the “Base Color” layer and name this layer “National”. To do this, select the “Primary Color” layer, choose “Layer” from the Photoshop menu and click “Layer…”. Name the new layer “Rough”.

Select the “Take” layer again, select “Filter” from the menu and select the Topaz Studio 2 plugin again. You will be returned to the main screen of Studio 2. Click the blue “Add Filter” button again, this time find the “Comment” filter in the “Styles” section. Now that’s fun! 🙂

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At this point we need to create a rough painting. Be sure to change the textures (last option), but feel free to play around to get the best results that suit your taste.

As you can see, I raised the “Paint Opacity” a bit to make the brush strokes sharper and more contrasty. Decreasing these images makes the effect easier.

Increasing the Paint volume slider gives you a much fuller image, which I like a lot, but not in this area of ​​the image. We will add it later. By changing the “pulse rotation” and “spin variation” you change the style of the shot. And a very nice touch after this lesson.

I added some “Bloodshot Color Variation” to increase the color a bit.

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I kept the Stroke Height at 0.00, but it varies from image to image depending on the image type. Rough layers for pictures I use long and wide brushes.

The Spill wheel adds contrast and texture to the image, so I turned it up a bit, while the smudge slider tweaks the brush. I played with the contrast and stroke style by enhancing both the dots and dots, but overall my work has a rough layer that looks soft with low contrast and soft soft brushwork.

I keep the “Color” and “Lightness” fields at their default values ​​and set the “Texture” field to zero.

When you’re done playing and you’re happy with the results, you can click OK to save the Rough level effect, but if you plan to use this technique for digital painting, save the look you’ve just created before applying it. Filtering. Click the “Save Layout” button in the upper right corner of the main window and name the location something like “Save Drawing”. This layer is now complete.

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Next, select the “Base Layer” that contains your original image/artwork, name the duplicated layer “Medium” and duplicate two more times “Fine” and “Ultra Fine”. Now, turn off the Visibility of the Subtle and Ultra Subtle layers.

Then we repeat the steps of the “Take” stage, but with different settings. We now use the bottom image as input for the comment filter, so we have more details to work with.

Select the “Middle” layer, select “Filter” and “Topaz Studio 2” from the Photoshop menu. Click the blue “Add Filter” button again and select the “Comment” filter.

This time, I will select the first stroke (default) and I will select “Average” number of strokes slightly larger than “Brush size” and “Paint amount” and I will increase the “Paint Color”.

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I’ve left all the other settings to their fault, but I encourage you to play around here to make this layer your own. The most important thing here is to have a layer with a medium resolution and color.

When you are done, don’t forget to save the configuration for later, click on the accept button to save the result of the “intermediate” level.

Then add an all black mask to the “Middle” layer to make this layer invisible. The hot key for this is to click and hold the option button on the mask icon below the layer.

If all goes well, you should see the contents of the Rough layer on your screen.

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Next, select the thin layer and click the small eye icon to the left of the layer icon to make it visible again, and repeat the above steps for the Medium layer using these settings on the screen. play with it. around yourself.

I’m a big fan of the normal brush, so I used the brush again for the sun layer brush.

Again, play with the contrast and sharpness of this layer by adjusting the Bleeding and Fit sliders. The purpose of the fine layer is to show the details.

Also, don’t forget to save the image so you can complete this step quickly the next time you want to do a similar project. Also, if you or your computer crashes, you can start over and choose a skin you’ve already created without wasting precious time.

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Speaking of computers, if you haven’t saved your documents yet, now is probably the time to save them. 🙂

Once you’re back in Photoshop with the thin layer ready, active, and visible, you can select/alt-click the little mask icon below the layer to add a black mask to the layer again. Of course, adding a black mask and black fill is also an option if desired.

Now we

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