Techniques For Achieving A Dual-tone Color Effect In Photoshop – Think of a duotone and an image of two different shades comes to mind. Now it’s easy. But a standard duotone printer uses black ink and another color, resulting in what many people think is a monochrome image. The black image will not appear in the resulting image unless the original gray image is cropped, which photographers try to avoid.
This image uses two different blue-cyan colors over each other on a black background (using a gradient map), but would be fine in most circles as black and white.
Techniques For Achieving A Dual-tone Color Effect In Photoshop
A sepia image is often achieved through a duotone process, but many people consider sepia images to be monochrome.
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Obviously they are ultimately monochrome, but try creating a sepia effect in Photoshop with one black color. Make sure you look closely. You can try wild color corrections, but you need black or dark gray to achieve contrast.
Create two sepia images using the duotone method. The upper is duotone with a mix of gray (almost black) and black. The bottom is what you only get in black – monotone.
We briefly look at the classic black + monochrome way of creating duotones, not least because this combination produces the most delicious results. But I’ll also show you how to create two-tone images in Photoshop CC using two methods: duotone mode and gradient maps.
To access Photoshop CC’s duotone mode, you need an 8-bit grayscale image. However, you may want to do a simple black and white conversion first before converting to grayscale. This way you can use the colored slides for a good start before entering the data.
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The process of creating a normal duotone in this way is well explained in another article. Choose one of the many presets available in Photoshop or choose your own color combination. Then, if necessary, change the difference between the two “inks” using the built-in modifiers. Technically, this creates a duotone, even though it is monochromatic by some definitions.
This is a two-ink duotone image with a monochrome appearance. Cropping the gray base image will give you true black.
Tip: In order for your second color (or “ink”) to be an image insert, the first “color” must be neutral (i.e. black or gray). Otherwise the two colors will mix. It takes more work to get two different colors.
A two-color image can be created in Photoshop’s two-color mode. Suppose you have selected two colors (for example, like this:
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By clicking on “overprint color” in duplex mode, you can place a second different shade on top of the darker shades. In this case I chose dark green.
As with the duplex mode in Photoshop CC, there are many gradient map menus to try out. Some of them use one shade or several shades, so in some cases monochromatic, three-color or four-color. But a standard two-tone gradient map gives you a duotone effect with contrasting colors.
Use the normal blending method with a gradient map and create a two-color image without black. There is a difference in contrast, although this varies depending on the colors chosen.
You can restore the contrast of the original image by selecting overlay mode, soft light, hard light, or a combination of colors.
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If you are going for a simple duotone with black and white colors, you can skip the black and white palette. Just use a transition layer with a normal blending mode. However, keep in mind that this excludes the ability to lower the opacity (which will return the color) or select other tones. The new B&W range adds versatility.
The classic combination looks pop art if you choose bright colors, so it is good for creating cartoons or flying images. In this way, when choosing colors, it is important to remember that one color appears from the bottom and the other from above in the selection table. The closer the two shades are to each other in “height”, the less difference you get in brightness. Various combinations are added, so this only applies to “standards”.
Of course, if your shadows and highlights are too close to black and white and it’s hard to see their tones, you’re pretty much back to black and white. Semantics don’t matter unless you’re competing in duotone image contests with different images.
When you use the color picker to select a hue and display colors, each hue you select above the base or below the top of the chart determines the tone (or dynamic range) of the image. At least this is true if you’re doing a standalone operation or using a custom plugin-style edit table.
How To Achieve This Effect?
If you go for an image with two strong colors, the tonal range is virtually non-existent. You can leave autumn where it is. But with simple mono and duotone images, range is more important. We’ve always been taught to expect a full tonal range in our images so that the data can fill the histogram, but sometimes the data is compressed. It provides web graphics with more realistic printing without deep shadows and fine lines. Try it!
The left side of the color selection ranges from all black to white, from bottom to top. The same principle applies to colors. They go from pure black to full saturation. In this example, I increased the tonal range of a black and white image by 5%, increased the shadows slightly, and decreased the highlights.
Just as you can control the tonal range of an image with buttons or levels, you can use gradient maps and color pickers. You can do the same thing in duotone mode by adjusting the back corners of the built-in curves to steepen the curve. On the other hand, increasing the curves will further increase the contrast and ultimately suppress the shadows and highlights.
What I’ve done in the image above is use the same color selection as on the buttons. If you select two duotone colors using the normal blending method, the tonal pattern will be locked unless you select a solid tone and black. (The default color selection level is solid black.)
How To Modify Images With Duotone In Photoshop
If you’re looking for color combinations, use the Adobe Color Themes extension in Photoshop CC. You don’t need to open the image to experiment. Expand the tool palette to set the background and foreground colors, which automatically change to a gradient map when opened. Complementary colors are ideal for duotones.
For this image, I set the foreground and background colors in Photoshop CC using the Adobe Color Themes extension. Then I opened a gradient map that matched the two colors exactly.
There are many websites that focus on finding colors that go well together, including Adobe Color. These hexadecimal numbers are included. You can copy and paste them into Photoshop’s color picker to reproduce the same shades.
In the past, duotone was used as a simple alternative to halftone color printing. Nowadays you can imagine that it is more expensive than black and white. I don’t think it’s better (of course not), but it’s a different way to tell a story. Sometimes you can specify the color in the original image. Or you can create an inline image. There are many options.
Duotone Photo Effect In Photoshop
Writer, photographer and all around good person. For almost twenty years, his images have been licensed and archived through European art libraries and published around the world. In 2000 he wrote for British art magazines, but lost track of time. He is good with a camera, knows his trade and is here to help. Creating your own duotone look has never been easier! Learn how to use Channels to select highlights and shadows in an image, then use simple solid color fills to change the color of each for the perfect two-tone effect.
Duotone is a popular technique in which the colors of an image are refined to just two shades; one bottle in bright colors and one in shadows.
This is a great technique if you want to create something graphic and eye-catching, such as an image for a banner, ad or poster. It’s also a good way to add a customer’s color to an image if you’re creating promotional images for them.
There are many ways to approach duotone coloring in Photoshop. But they all require some technique for coloring the lights and shadows independently. For a detailed selection of light and shadow, channels are our tool.
Dual Color Effect Photoshop Action
Streams are probably one of the most underrated and underutilized tools in Photoshop. They can make very specific decisions, they are good for everything from color to cut
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