Troubleshooting Layer Visibility Issues In Photoshop: Common Solutions – I’ve run into this problem a few times and decided to post my question here to see if the community can help.
So I’m trying to get the contrast right in this photo. I’ve used the level tool with good results, but that’s all I’ve done
Troubleshooting Layer Visibility Issues In Photoshop: Common Solutions
(indicated by a red circle) does not match the photo. What is the most recommended way to solve this problem? Is there a general solution for this situation? Thank you in advance for reading and please let me know if I can provide more information.
How To Create A Realistic Vintage Lens Effect In Adobe Photoshop
Your camera does its best to make sure it looks good, but it has to adapt to the limited range of brightness on an average computer screen. Unfortunately, the standard in-camera JPG production process doesn’t realize that less than perfect lenses and image sensors can spread diffuse light into high-exposure areas, making dark foliage look like fog.
You can make a copy of the image on a new layer and apply different layers or curves to the copy to keep the fog areas consistent. Then, using layer masks, you can make these exact areas visible on different custom layers.
Another way is to insert a custom layer. Here the bending layer is introduced and adjusted to reduce brightness without changing contrast. Apply a full black layer mask to the curves, remove the fog, then use a soft, low-opacity brush on the mask to paint the problem areas white:
Black on the layer mask turns the effect off, white turns it on. Gray indicates partial effects. The white paint gradually loses its seamless effect.
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I use Adobe Camera RAW for this. Even if your JPEG is less than ideal, you can convert the layers to Smart Objects and use Adobe Camera RAW as filters. The beauty of using ACR as a filter is that it is indestructible and you can go back and change it if needed.
Then repaint the layer mask into Photoshop to selectively apply the filter to the areas you want.
Using G’mic Tone Enhancer, we can adjust the shadows or midpoints to overcome exposure or bleeding issues to some extent. These tools are available as plug-ins for various operating systems or applications, or as online versions that do not exclude Photoshop users. I tried Photoshop cs5 and cs6 but neither worked in the file. Example: psd and pdf files (zip)
Update2: Rasterizing the layer is a solution but I need vector output so I’ll keep it
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Update 3: Since I was in a hurry and needed it for my BA, I used the “dirty” solution Marty mentioned and rasterized the layer. The result was perfect for my needs.
Everything will be compressed into one layer and will now be exported to PDF (PDF should be perfect as there aren’t too many layers, smart objects, paths, etc.)
This behavior occurs because you created the layer shapes incorrectly, or you copied and pasted them from another program, such as Illustrator, and something went wrong with the shapes in the process.
I opened your file and noticed that your shape layer had useless lines, they were just sitting on top of your shape (on the same shape layer). I deleted a few lines to prove my theory and the problem was solved at this point. You’ll see that some levels still have issues, but some are now there (because I fixed them).
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When I go to copy the green shape shown in the results, it works fine. For some reason the cells are not visible.
If you had to do it in Photoshop, I could make a large background shape and draw black squares as strokes.
But I recommend recreating it in Illustrator, you shouldn’t have too many problems. It shouldn’t require much work.
As for the PDF printer. You install it, print the document and select the bullzip PDF printer in the printer settings.
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Now I want to do it differently. I don’t know if you’re familiar with smart objects, but basically it’s combining layers into a single layer, but always accessing those layers later.
You can select all layers or select vector layers. Then right-click on one of the selected layers and select Convert to Smart Object. This will put all the layers into one smart object layer (not 100% sure it will stay vector).
Then, when you double-click the smart object, a new window will open where you can view all the layers within the object and modify them in the original document.
Since exporting the layers to file is done by some script, all I have to do is find that script, then find the function that saves the layer to file, find where in the function I do the number prefix….. ..
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Google found this page due to an issue with certain lines not being included in the PDF output. @Adrian’s solution didn’t work for me. I don’t have the “extra” lines, but at first I thought it was a setting in the PDF saving options. His answer put me on the right path (pun intended).
As you can see, there is only one red wire. This is only done if you’ve modified your route settings. Here are the steps to display all red lines in a PDF file:
NOTE: I don’t know why (I’m no PS expert) but I had to redraw some lines because there was no “Shape Properties” icon and I only had the mask option.
I have the same problem with text. Not all my text, but for some reason the slogan on a separate text layer doesn’t want to show up when saving to PDF. I tried turning this text layer into a smart object and it worked! Hope this helps!
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Hello, using photoshop cs3, it displays the message on the image, select “refresh” and save as pdf, all text layers are visible. Hello
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