Using The Filter Gallery In Photoshop To Create Unique Effects

Using The Filter Gallery In Photoshop To Create Unique Effects – Follow along as we show you how to create realistic glow and light effects in Photoshop! Learn how to create a glowing circle effect, blend it into an image, add particle effects with Photoshop brushes, and more!

We want to see what you create with the techniques discussed in this tutorial! Send us your custom glue effect for a chance to be featured on this page and on social media.

Using The Filter Gallery In Photoshop To Create Unique Effects

Use an image from the tutorial, a free stock photo from Pexels.com or Unsplash.com, or an image you own (make sure it’s family-friendly!)

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Creating special effects in Photoshop is a lot of fun and can produce some pretty stunning photos. The best thing about smooth effects, like the ones created in this tutorial, is that they can be added to almost any image.

Look at the image we’re using for our example. This is a simple, well-crafted image of a woman practicing yoga and meditation. There’s no way we can use the gloss effect to loosen things up, right?

Since we wanted a glowing effect, we knew we would add a light source to the image. If you want the new light source to stand out, it often helps to darken the rest of the image.

Create a surface adjustment layer, place it in the background image’s layer stack and drag the brightness to the left for the production layer.

“filters & Effects”

This will reduce the overall brightness of the image, which will contribute to the appearance of the glowing effect. This also gives us the opportunity to add more ambient light around the subject to enhance the overall effect.

Our goal for this image is to create a clear dynamic range around the subject in the image. So we need a ring to start.

To create a circular shape, grab the Ellipse tool and click and drag around the subject while holding down SHIFT to make the circle perfect. Make sure the Paint is set to None and the Stroke is set to the color you want for a smooth effect (you can change this later).

Once you’ve created the circle, you can use the move tools to adjust its position or use the transform options to scale it if necessary.

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It is always good practice to include references to original properties you have created. After you are happy with the color and size position, make your copy. Right-click on the duplicate and select Rasterized layer. This will be the phase where we will create an impact on the mountain.

Go ahead and save the first draft. We’ll keep it in case we want to refer to it later.

Now that we have the basics of our light circuit, let’s duplicate this layer layer while adding a combination of blurs and blending modes to create the effect.

Don’t worry about making it too strong at first. We will repeat this process over and over again, increasing the intensity of the brain with each step.

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To add some natural contrast to the gloss effect, create a layer mask on each circle layer and paint black in random areas with a large, soft brush set to a low flow. It’s very subtle, but it makes the overall effect look more natural.

As you continue adding new circle layers with different blur levels, try changing the blending mode of each layer. We know the screen creates a good, soft lighting effect, so it should be worth it.

However, you can experiment with others to see what happens. We found that setting a layer to the Release blend mode creates a nice particle effect that we can add later.

When using unusual blending modes such as Undo, it is often useful to change the effect to a new layer that can be set to a normal blending mode.

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To copy the effect of the mixed mode of analysis, we just need a way to move all the particles that make it up. Place a black solid layer of paint behind the analysis layer.

Then use the color scale to choose the color of the gloss effect. With the selection active, create a new layer and fill this selection with the same color you used to create the glowing circles.

You end up at a new level creating a mixed mode effect. Go ahead and delete the first layer set to Status Analysis; this is not necessary.

Just like we did with the other smooth circle layers, you can go ahead and add a Gaussian blur to the blur effect so that it blends naturally into the image.

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Continue duplicating the layers (or all groups) and playing with the blur and blend modes to set the smooth effect you want.

Now that our circle of light is complete, let’s integrate it into the image so that it appears as if it is behind the subject.

We need the circle to appear where it is on the subject. To do this, we can create a theme selection and use it to mask the circle from these points.

Combine all the light circle layers and then hide the group. Zoom in on the subject a bit, then go to Options and choose Color Range. Select black from the subject canvas and press down until you have a well-defined selection of the subject.

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Now reveal the Bright Light group and place the active theme selection in the group mask. You should see something like this:

The choice seems good, but it is the opposite of what we want. Change the mask you just created by pressing CTRL or CMD + I.

We have a beautiful glowing ring that appears to move behind the subject. However, we need to integrate the light from the ring into the light from the image if we want it to look real.

It requires some manual work with the brush, but the result is worth it! Zoom in on the photo and start tracing the edges of the subject with a lighter color. The goal is to create some colored light around the subject so that it appears as if the light from the frame is enveloping the subject.

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Spend more time working on detailed parts like hair. The better and more natural the look is, the better the overall effect will be.

Take as much or as little time as you want with this part, but the more you pay attention, the more realistic everything will be.

Once you’re done with the small edge details, we can add some big, shiny effects around the subject. Again, use a large, soft brush and a small stream to fill in large areas at the edges of the subject.

Then use Blend If to ensure that these highlights only appear where there are natural highlights in the image.

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We just finished. We’ve done a great job of integrating the effect and lighting around the subject, but we need to focus more on the rest of the environment and background. It feels like a glowing circle is creating some reflection and light on the ground around the subject.

To do this, simply duplicate the entire smooth spiral tape, adjust and move it until it fits in a natural-looking area on the floor.

And then use the brush to paint black on the mask to make the effect more subtle.

Custom Photoshop brushes are a great way to add special effects. Custom brushes in particular are the best way to create particle effects and mood effects because we can create random and natural changes in the brushes themselves.

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You can follow the video to learn how to create a custom brush, but if you want to skip the process, the brush is available for free in the tutorial download.

Now that we’ve completed the bulk of the effect, we can zoom out and view the image as a whole. Here we can decide whether we want the gloss effect to be more or less intense and adjust accordingly.

You can add a Gaussian Blur to the newly created layer, change the blending mode, and use the layer mask to add some contrast to the intensity in different parts of the image.

When you’re done, you should have a glossy effect that takes the original photo to awesome new places!

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But don’t stop there! Whether you’re creating special effects or merging multiple photos together, adding a gradient color over everything can really help bring it all together.

To add some speed and improve color balance, you can use the Color White Balance layer to push and pull the colors of the image until you get the look you want. 🚨 NEW – Photoshop Productive AI Course 🚀

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