How To Enhance Wildlife Photos Using Photoshop Editing Techniques – In this post-editing section, we want to show you a 15-step editing workflow that applies to all wildlife images. This list covers all the steps to consider when editing images. This is not a to-do list, just something to consider when editing images.
Before using any editing tool, evaluate the image and decide the creative direction you want to take. Do you want the ultimate look and what do you need to do to get it? While things may change along the way, visualizing the end result is a critical first step. You must have a goal to know you have achieved it.
How To Enhance Wildlife Photos Using Photoshop Editing Techniques
Sometimes the creative direction is obvious. At other times it is not. When you’re struggling with a scene, it helps to blend the 14 steps and take them out of sequence to see how it cuts in a certain way, or you can use the whip curve to see what details are in the shadows. . or the sky. You may want to use a class filter on the sky to see how it looks before doing anything.
Editing Wildlife Photos For Different Uses
Before making global edits to your image, evaluate the areas of the photo where you know you’ll be applying local edits to apply masks. For example, you can add contrast to the clouds in the sky, brighten the foreground, or highlight an animal that you want to highlight in the scene.
Create a mental road map of the different areas you intend to change using the mask. The key here is to think about local editing before doing global editing. I must state that this is a conceptual guide and there are no physical changes, just a preliminary visualization.
Your camera profile defines the starting point for image editing. Starting with the right profile will give you the most stars to make the change. Starting with the wrong profile can result in too much initial contrast and saturation, which will limit the types of editing you can do.
All lenses have some degree of distortion or aberration. Always make sure to remove chromatic aberration and enable lens profile correction before cropping. The only exception is creative distortion on special lenses like fisheye where you want the distortion to stay.
How To Edit Your Wildlife Photos
Portraits taken with wide-angle lenses may have converging vertical lines at the angle of the subject. In architectural photography, the goal is often to remove these basic effects using the Transform tool.
In nature, the choice is less obvious. Sometimes this kind of distortion works well for the scene, and other times you might want to remove it with the Transform tool.
In any case, always check the image to see if you want to apply changes to the Transform tool before cropping.
Some editing decisions can be as impactful as the decision to crop an image. Not all images match the aspect ratio of your camera sensor.
Creative Photo Editing Idea: Black Out Animals
Remembering this helps us more than ever, but we often don’t think about it or don’t have time. Making the final decision in post-processing will usually work, but you have to be careful not to crop too much, which loses resolution.
There may be times when you need to match your intended aspect ratio. But as much as possible, I recommend that the content of your image determine the final cut. You don’t need a standard aspect ratio.
Evaluate the white balance of the image. Sometimes the camera’s automatic white balance is correct and does not need to be changed. However, small changes often go a long way.
At other times, the image may have a common color. In some cases, you’ll want to neutralize the dyed color, but in other cases, perhaps at dawn or dusk, it’s fine to leave the natural color.
Wildlife Photography Editing Technique- Wildlife Photo Editing Services
Uses a combination of tone curves, histograms and key tables to determine the overall tonal range and overall contrast of an image. When you do this, be aware of the areas where you plan to make local changes so you don’t override the global settings.
Many images can be improved by adjusting certain colors, be it hue, saturation or brightness. Maybe you want to saturate the blue sky or add orange leaves to the fall colors. Or maybe you want to use or add some color to the shadows or outline.
This is the time to use the HSL / color panel or the color grading panel. This isn’t an adjustment you need to make on every image, but evaluate your color adjustments before proceeding.
After completing the global edit, it’s time to implement the coverage plan. Make a selection with filters, then proceed with adjustments. Remember, this can all be adjusted later.
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Remove any unwanted sensor dust, branches or debris. If there are a lot of dots or objects that are difficult to remove, remember that Photoshop can be a good choice.
One final editing touch is to tighten and remove digital noise from your image in the Details panel.
The default input resolution settings can often be extended. Also check the brightness and color noise and adjust if necessary.
Some images have small areas that could benefit from additional sharpening or enhancement. For example, light up animals’ eyes or bring out the texture of tree leaves. Adding texture, sharpening or reducing noise in small areas can add the finishing touch to your image.
Wildlife Photography Processing Workflow
Sometimes, more often than not, the eyes don’t have enough aspect to make that connection with the animal you’re looking for. You want to brighten and add color to the eye so it’s instantly recognizable. Don’t worry too much about making it look unrealistic, just add features.
Using an adjustment brush, we recommend gradually brightening, saturating the color and darkening the black of the pupil.
Be careful not to brush outside the eyes. If you apply these steps outside of the eyeball, applying settings to fur and fur, you will spoil the intention.
Before you decide that the image is complete, do a few final checks. Confirm the bright and dark spots and evaluate the histogram for overall brightness. Make sure the shadows and highlights you insert are clipped.
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Evaluate the overall color at this point. Do you leave out unwanted colors and do they look natural and reflect the scene you’re shooting?
Finally, make sure that none of your edits have color bars in areas with color gradients or almost entirely at the edges.
Take a break and step away from the image so you can look at it more critically when you come back. It’s also a good idea to ask for advice from family or friends. You’d be surprised how many good ideas come from other people.
We’ve put together an awesome video series on how to edit photos in Lightroom. Check here Note: We have created a beautiful PDF of this post for offline printing and viewing. Click here to download for free.
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Every photographer experiences the frustration of capturing a beautiful scene, only to be disappointed when they see the end result.
There are various technical and aesthetic reasons why a photograph may fail, even if the photograph is as dramatic as two giant brown bears clinging to each other.
That’s what happened to Mark Gromko. Mark took an amazing photo of two brown bears fighting in a stream.
“This photo of two brown bears was taken on Admiralty Island, Alaska. I submitted it to a camera club contest and got a response that was about the same as ‘meh’. I don’t know why. Maybe I was confused with pleasure. Experience with photo quality.
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When I read the announcement and saw the photo, I was reminded of a common occurrence I see with many photographers.
Photographers will create images without thinking about what and how to say.
The result is that even the exciting moments (well taken, by the way, Mark) can be bland and uninteresting.
Mark knew he saw something special. He also knew that he had shot the picture as technically as possible. It has good lighting, the focal length of the lens is long enough to fill a sufficient number of frames, and the image is clear. They make the best pictures, depending on the time and type of day.
Editing Wildlife Photography
Analyzing photos is a skill you need to constantly work on. We must ask ourselves, “What is the point of this photo?” and “how do you say that
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