Tips For Mastering The Brush Settings In Photoshop For Unique Effects – Photoshop Brush tool overview, tips and tricks on how to use it and what to use it for.
Photoshop’s tools were created with the recognition that different types of artists and technicians use them for different purposes and in different ways.
Tips For Mastering The Brush Settings In Photoshop For Unique Effects
They may look simple, but many of them have a lot of built-in customization technology that gives artists a lot of freedom and control, which seems like an obvious goal.
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Brushes and brush presets Windows has many preloaded brushes, each with options to change or refine options such as smoothness, texture, tip shape, and more. A stroke sketch is also provided to show how the brush stroke looks when used
With so much to learn, we’ll start by looking at the basic brushes commonly used for photo retouching. As a set of three, they live above the brush window. Looking at them in the brush preset window shows that they are actually three sets of two options, one with soft edges and one with hard edges.
The Brush tool can be selected by clicking the brush icon in the vertical toolbar or using keyboard shortcuts, note that the tools open with a small arrow in the lower right corner to open the menu options. There are options for the brush tool, brush tool, pencil tool, color changer tool, and brush blending tool. When one of the other tools in the top menu is selected, its icon replaces the brush icon in the vertical toolbar. Also note that the shortcut is listed in the popup menu, so if you forget it, it’s there to remind you.
– either brushes or brush previews through Windows; Everything is convenient for Photoshop users
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The first is Photoshop’s basic brush setting and is used for almost all photo retouching. These two options provide equal width and clarity throughout the stroke regardless of pressure, with soft or hard edge options.
Soft-edged gradients are preferred for most retouch brush work. Hard edges are good for blocking and erasing things. When using the soft edge brush, the hardness of the edge can be controlled by the size of the brush or by adjusting the hardness slider in the brush options menu bar. There’s also a keyboard shortcut for adjusting screen hardness – Control Option on a Mac and Alt-clicking the right mouse button on a PC. (Then drag up and down to adjust the hardness or right to left)
I prefer to control the hardness of the brush with the size of the brush, as it is more accurate than “watching” it on the screen in the retouching process, but other artists enjoy the keyboard shortcut options, so please try both and select Make it this option. If you prefer the hardness to be controlled by the brush size, note that a small brush provides a hard edge and a large one provides a soft gradient.
Most artists apply color in separate layers using large soft brushes and use layer masks and different brush sizes to create different types of definition. It offers the ability to generate smooth gradient colors with certain angles of varying brightness. For example, when lifting the whites of a person’s eyes, the color should have a hard edge near the iris, and the soft gradient color should fall off the natural white. area.
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This swatch, done in red, shows how a larger brush provides a smooth, even application of color that’s more intense near the edge of the iris at the bottom of the eye. Sharp edges near the iris and eyelids are created using a layer mask and a small brush (sharp edges) to remove the layer.
After refining the color model, the opacity of the layer can be adjusted to provide the desired subtle enhancement without overdoing it.
Note: When using a completely soft brush (hardness 0), the brush icon in the normal cursor preferences indicates that the color falls within 50% opacity. The color or effect is wider outside the brush image. This means that it’s easier to see the edge effect as you work because it’s not covered by the icon, but it also means that when choosing a brush size for tasks like laying and burning, choose a brush slightly smaller than one area. Do you want to
A second set of brushes to change the size of the brush according to the pressure applied when applying a stroke (only available when using pressure-sensitive tablets and pens, such as the Wacom Intuis line).
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Again, the soft edge option is the choice for most photo retouching Note that the hardness of the brush changes with pressure:
– So it’s not a good option when a solid edge is needed, but it’s a great brush for things that need to be done on points like lashes and hair.
The basic soft edge brush and the soft edge shape for the pressure brushes are what I use for almost all of my photo retouching. Most of the work is done with a brush for base hair, lashes and other fine edges, with a pressure gauge brush.
A third set of brushes provides different opacity depending on pressure Light pressure provides light opacity and heavy pressure provides more
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Artists who want to create transparency in the application of paint like this brush! The longer the opacity the deeper the “color” becomes, I like to create layered opacity as it allows me to create gradients and different types of opacity within an area, but again this is personal preference.
How much color is applied in one stroke Opacity Flow controls how quickly 100% opacity applied with 100% flow gives 100% opacity at once. 100% opacity gives 100% opacity to a 10% opacity stream, but builds up slower (you have to “paint”) longer.
Stops applying a color with opacity 50% when it reaches 50% opacity. To get more, you need to take the pencil and apply another layer
Since I like to create opacity through layering, I usually have my options set to 05-10% Opacity and 100% Flow. I can layer smoothly, but at the same time have selective lighting that allows me to work as quickly as possible. Everyone works differently, but it’s a good idea to choose settings that allow you to run as fast as possible while managing media (no stuttering, etc.).
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Pro tip: In addition to the options for changing screen transparency described above (Control Option on Mac and Alt Right Mouse on PC), other keyboard shortcuts for changing transparency are useful and valuable. The numbers on the keyboard range from 1 = 10% opacity, 2 = 20%, 3 = 30%….. to 0 = 100%. If you want the opacity to be 05%, press successively 0 and 5 – the same for 35%; Press 3 and 5 in quick succession
And in addition to the on-screen brush size options described above, the bracket keys next to the letter P on the keyboard change the brush size up and down. The left bracket shortens the brush; The straight bracket makes the brush bigger
Some artists program brackets shortcuts on Wacom tablets as an express key or ring option. My Wacom Touch Ring brush is set to change size or zoom in and out depending on what I’m using.
To set the Wacom option, simply open the hotkeys from the top left drop-down menu and enter the hotkey you want to use for the brush size:
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I set mine so the brush is shorter when I move left in the tap cycle and shorter when I move right because that’s natural. I set the top right zoom position, the drop down options, the brush size keyboard overlay to the bottom right, and the zoom to the bottom left.
It opens the tablet with the top left brush size option, and when I want to use it to zoom, I press the center button to zoom clockwise to the top right. When I want to use it again for the brush size, I click on the center switch that moves clockwise in the lower right.
The main products in Photoshop are simple sketching, painting and airbrushing, along with shading and photo retouching (burning, escaping, masking, creating vignettes, backgrounds, skin and clothes, enhancing eyes, changing heads, working with masks, etc.) n.). . good for
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